Other People I’ve Been

I noticed the other day that all my game posts are about games that I run. I have been remiss in not mentioning the games I play in, and have played in. So, here’s a greatest hits of my player career:

  • Barabas – Barabas was a half-elven fighter/thief from Waterdeep in a home-brew AD&D game run by my friend, Michael. He was the first character I played for any length of time – up to that point, I’d mainly been running games. Barabas was surly, with a quick temper and a dislike of elves. I had conceived him primarily as an urban character, and the first session had the city of Waterdeep occupied by an orcish army and my character on the run throughout the Realms. He got into trouble a lot because he hated people telling him what to do, and tended to do the opposite. He wound up losing his home, his best friend, his eye, and his mortality, as he threw himself into a battle bigger than he could imagine, and wound up tapped to be a god because of it.
  • Jeyg Costin – A human from a Skyrealms of Jorune game, again run by Michael. It only lasted one (extended adventure), but I loved that game. Jeyg was a sneaky, tricky private eye type, who knew everyone and how to make contacts even in strange cities. He was also a deadly knife-fighter. In best noire traditions, he wound up addicted to a powerful narcotic after bearding the main villain in his den.
  • V’dreyn Heartshadow – An elven cleric in the continuation of the game that Barabas started in. He worshipped a god of self-sufficiency, and tended to a calm, measured, horrificly stubborn character. Once he got his heels dug in, not even death could shift him. I spent a lot of time as Heartshadow working through the theology and philosophy of such a deity, an exercise that I found surprisingly rewarding. He wound up sacrificing himself to prevent a TPK when our group of 11th-level character ran into a pit fiend by surprise*.
  • Anthony Vespucci – My Vampire: The Masquerade character; your basic Ventrue mobster. Again, one of Michael’s games. Anthony wasn’t all that bright, but he was good at following orders, convincing other people to follow his orders, and just not dying. One of his greatest moments was a face-off with the angry sire of one of the other players and his squad of gun-toting henchmen. The sire forbade Anthony to kill a priest (who was right there in the alley with them), so Anthony unloaded his Uzi into the priest’s chest, threw down his gun, and let the six vampires above him fill him full of lead. And then he stood up, brushed off his ruined suit, and asked them if they were finished screwing around. He wound up blowing his own head off with a white phosphorous grenade to prevent him being used by his enemies. He came back after a brief hiatus as a draug bent on vengeance.
  • Tom Kozlowski – Anthony’s replacement in the Vampire game after his suicide. Word of advice – it is very, very, very hard to believably bring in a new PC in a game centred around suspicion and paranoia. Tom didn’t fit well, and didn’t last long.
  • Julian the Apostate – My friend Clint ran a great Vampire: Dark Ages game, where I got to play the ex-Byzantine Emperor. Clint actually suggested the character, and it seemed like such a cool idea (especially after a little research) that I jumped at it. Julian was an okay warrior and a decent leader, but he really shone when working ritual magic through a system that Clint and I developed for him. He was also renowned for always having a plan and a back-up plan, which he would often neglect to tell his companions. Julian saying, “I have an idea,” became one of the most frightening moments in the game**.
  • Gaha’el – An angel of healing in a shortlived game of Everlasting that Clint ran. He was fun to play, from a very alien point of view: I tried to make him very different from mortals, not really understanding their interactions. He was great at dishing out healing, but had no compassion. And he was just as quick to draw his sword. I played him as God’s misericord – he would end suffering, one way or another. And his history was pretty cool***. Unfortunately, the system was convoluted and work-intensive for the GM, so the game folded after only a couple of sessions.
  • Asariel, Dee’s Angel – Asariel and Gaha’el were separated by years, but I eventually came back to the angel idea for a steampunk Victorian superhero game Clint ran, using Mutants & Masterminds. Asariel had been summoned during the reign of Elizabeth I by John Dee, and both Asariel and Dee were surprised to find that the other didn’t know how to get Asariel back home. He was a much more human character than Gaha’el, as you need in a superhero game, but still very cool to play. One memorable conversation had another of the heroes asking me about her dead husband, and if he was happy in heaven. Player scheduling killed that game.
  • Synry – Clint ran a small D&D 3E game for his wife and me, and my character was a human fighter/wizard. He started as a kind of socially maladjusted ex-soldier with some wizard training, but over the course of the game he wound up being quite the diplomat, spy, spellcaster, planar traveler, and power broker. He also inspired the greatest volume of game fiction I have written for a character.
  • Michael “MoJo” Johnson – My friend Erik ran an Unknown Armies game, and I was determined to play someone who was clued in to the supernatural but had no actual supernatural abilities. I made him the webmaster of MojoWeb.com, your one-stop Internet weirdness outlet. He was a manic, paranoid conspiracy theorist who knew more about what was going on than the mages and avatars around him, and so flipped completely out at the stupid things they would do. Of course, he believed most of the stuff on his site without any sort of critical thought, so he was wrong about a lot of things.
  • Ladimir Csabor – Michael invited me to play in an Iron Kingdoms game. I’m not a huge fan of Iron Kingdoms, partially because I’m tired of steampunk and partially because I think the world undercuts a number of fantasy gaming tropes that I like. But I like Michael’s games, so I came up with an Umbrean fighter – very plain vanilla. But a melee warrior in a party of ranged fighters and spellcasters really stands out, and he has become a man of action! He joyfully throws himself into the craziest stunts and fiercest battles, sometimes just because he’s tired of all the talking that’s going on. In a world I don’t really like, I’ve managed to create a character that I love.
  • Dunael a’Wemistarrin – An elven warlock in Clint’s current 3E game. He treats the oaths and pacts with the powers that give him his abilities in a very shamanic way, viewing them all as small gods that he has little rituals to appease and entreat. He tends to get fixated on one thing at a time, which sometimes makes him seem very cold, and other times just the opposite.

So, there’s a list. It’s almost complete – barring a couple of characters that weren’t all that memorable.

Listing them like this is interesting to me; I’m seeing patterns and commonalities that I hadn’t before. I mean, we all know that we like to play certain types of characters, and that the characters we build tend to share certain qualities, but until you see it all laid out in front of you, you may not see them as clearly.

My characters? Usually a couple of dominant traits:

  • Pride. Pride bordering on arrogance in some situations. In other situations, living so deep within arrogance, they can’t see the border any more.
  • Stubborn. When they care about something, there is no shifting them.
  • Action provoking. My characters all tend to like to make stuff happen.
  • In the know. They all like to be in on the secrets of the world.

Now, having listed all these characters, I leave the comments open for those who have known them to comment, and for others to spend a little time telling me about their favourite characters.



*Well, surprise for us. The pit fiend knew right where we were.

**Followed closely by, “The Domina has some questions for you,” and, “Let’s go into the forest.”

***I wish I could find the write-up I did, where he prevented Moses from entering the Promised Land and was both St. George and Dracula.

Roles, Optimization, and Building Characters in 4E

So, here’s the thing.

Back when 4E first came out, one of my friends and I had a conversation about the builds they present for each character class. He was talking about optimal builds for individual classes, and I was talking about options for creating the kind of character you want to play.

We had a bit of a disconnect over the issue, because we were coming from two different sets of assumptions, and weren’t really talking about the same things at all when we talked about building characters. He was coming from a World of Warcraft mindset, where there is* a right way and a wrong way to build a character that works in the system. I was coming at it from a tabletop game mindset, where there isn’t a right way and a wrong way to build a character as long as it fits with your concept.

One of the words my buddy would throw around was “optimized” and it’s various forms.

“I’m trying to optimize my fighter,” he would say.

“Optimize for what?” I’d ask.

He’d blink at me, and say, “Optimize him for being a fighter.”

I’d blink at him, and say, “He’s already a fighter.”

And round we’d go.

What he eventually bludgeoned into my skull was that, when he said “optimize,” he meant “choose the correct build elements to be the best at what the role entails.”

Which led me to ask, “Well, what do you want him to do?”

“I want him to be a good defender.”

And we were off again.

These sorts of discussions have led me to do a lot of thinking about the way you build characters in 4E, and what things the game seems to encourage.


I was very leery about the idea of roles in 4E. When people started talking about them online, I got nervous that they were going to be very restrictive, very rigid, and very limiting. The idea that each class would be slotted into one of only four party roles sounded way too much like a video game, where the limitations of the medium lead to a narrowly-defined play experience.

I like my pen-and-paper RPGs to be open, and rollicking, and full of choice. I like the rules to open up possibilities, not shut them down. I want the character concept of the player, and not the design limitations of the rules, to shape the build of the character. I didn’t want a bunch of cookie-cutter classes, where this class does exactly what that class does, but wears a different coloured hat.

So I was looking long and hard at the implementation of the roles in the PHB when it came out. And it turns out I didn’t find them limiting at all.

The thing that I discovered about the roles in play is that they are a useful starting point for your character. Each character tends to spread out from the primary role into at least one secondary role as they develop, which really increases the variety in characters of the same class. The PHB2 acknowledges this head on in the class write-ups, talking about which secondary roles the individual classes will fulfill the easiest.

For example, in my Storm Point game, I’ve got a fighter, a rogue, a cleric, a warlord, a ranger, and a swordmage. That’s two defenders, two leaders, and two strikers. But the fighter has concentrated on powers that let him move his opponents around the battlefield, giving him a strong secondary role as controller. The other defender, the swordmage, concentrates on movement and damage, giving him aspects of the striker. The cleric is doing his best to double as a striker, and the warlord, ranger, and rogue make good secondary defenders.

Now, the fighter is still best at his defender role – he gets up close and personal with the biggest, baddest enemy and whups it back and forth all over the battlefield, keeping it tied up and focused on him. He doesn’t do a lot of damage, and he doesn’t handle large numbers of enemies as well as a wizard would, but he’s got that monkey wrench ability that controllers have. The rogue easily dishes out more damage, but he tends to fall down a lot more if he gets caught in melee.

That’s just within one group of six players. The flexibility of the roles, and the way characters can be built to fulfill a secondary role** makes for a great deal of player choice and variety. And that’s not even getting into multiclassing.

So, like I said, the roles are a starting point, a place to begin with character creation, and it’s useful to understand what each one does. One of my worries, way back before the game was released, was that, with roles, I wouldn’t be able to play the swashbuckling fighter who relied on his agility and his rapier. And really, you can’t, using the fighter class. But if I look at the roles, I see that this concept fits the idea of the striker better than the defender, so I build the same character using the rogue class.

It’s a new way of thinking about it for me, but I’ve come to really like the idea of the roles. And the juxtaposition of role with power source gives a great way to differentiate between different classes that fulfill the same roll. The fighter and the swordmage are both defenders, but they play very differently. They feel very different. Even two arcane strikers, the warlock and the sorcerer, have a very different flavour.

And that’s all to the good.


Each character class offers a couple of builds for that class, listing feats, powers, class features, etc. that reinforce the idea of the build. I think that, as examples, they are very good for giving people ideas of what can be done with the different classes, and getting people to think about some of the synergies and combinations among the feats, powers, and features.

I don’t think they were presented very well, though.

In the class write-ups, the builds are presented in such a way as to make them seem like the only possibilities for that character class. You have to look in a section headed Creating a Character on page 52 of the PHB to actually see them explain that the builds are only suggestions, that they’re not meant to be a constraint, and that you don’t have to choose one.

With the experienced players in my Storm Point game, this wasn’t an issue. They tend to ignore anything that says they can’t create the kind of character they want, so the builds were viewed as suggestions or starting points only. Which is what they are.

In my other game, which started off as Scales of War, I had a number of newer players. If I hadn’t been careful to explain that they didn’t have to follow the build recommendations, they would have, and may have felt limited by it.

Just looking at powers alone, if a class has 4 At-Will, 4 Encounter, and 4 Daily powers available at first level, that’s 96 possible combinations at first level. Ninety-six. Not two. And then you have to factor in class features, feats, race, skills, weapon choice…

Don’t get me wrong. I think including the builds was a good idea to help people get started with the new rules. But I think that they would have been better handled if they were done like the examples of adventurers from the various races – illustrations of the kinds of things you can do as a fighter, cleric, wizard, whatever.

Which brings us to…


How do you optimize a character?

Well, what do you want your character to do?

There are a number of optimization threads on the official Wizards of the Coast message boards. These talk in detail about how to build the “best” fighter, or cleric, or what have you. They focus primarily on powers and feats that reinforce each other in order to provide synergies and compiled benefits.

What I like about these threads is that they have a multitude of different ideas for a given class. They have acknowledged and embraced the idea that there is no one right way to build a fighter; it all depends on what you want the fighter to do.

What I don’t like about these threads is not a problem with the threads, but a problem with the basics of the game design and the assumptions behind it. I’m going off on a little tangent here, so bear with me.

The majority of rules pertaining to characters are combat-oriented. Most of the 4E rules revolve around combat. The default assumption of the game is combat. This is not necessarily a bad thing, but the focus is, sometimes, a little too narrow.

At this point, the primary non-combat resources your character has are skills, which are chosen once and then just level up with you, and rituals, which get a little more involved but are restricted to those with the Ritual Caster feat. Powers and most feats are focused entirely on combat, and the majority of magic items are, as well.

This means that most of the optimization threads are based on optimizing your character to do something well in combat. There isn’t a lot you can do to focus and specialize your character in non-combat abilities.

And that, I think, is a limitation. Sure, the primary activity in the default D&D game is combat against monsters. And sure, you want your character to be able to hold his or her own in a fight, and pull out some cool tricks. And 4E does the cool tricks so very well.

But I miss the ability to build a character with a focus elsewhere.

This is my idea of optimization – being able to craft the abilities of the character to fit with the concept you have for the character.

Now, I know you don’t need a lot of rules for the roleplaying bits of the game, and the skill challenge rules add some structure (and a consummate reward) to non-combat situations, but there just aren’t a lot of choices for characters to make among the feats, powers, and class features that apply outside of combat. At least, not compared to the combat choices.

Anyway. That’s the problem I have with the optimization threads.

Having said that, I think that optimization really starts with having a clear concept of what you want your character to be. A strong concept that you keep in mind can inform each of your choices, whether for power or feat or whatever, and help make the character more of what you want. The ideal character for you may not be the one that does the most damage, or has the best AC, or the most fire spells. It may be the one with the broadest range of different kinds of abilities, or with the strange weapon choice, or the most spoken languages.

Optimization means making the character fit what you want it to be, sometimes in spite of lack of support from the rules.

So, What’s Your Point?

My point is that, despite the fact that I really like 4E, on the surface it can lean a bit too much towards a combat system/MMORPG feel than I generally prefer in a game system. I find it’s important for me to keep in mind that the game is not what’s in the rulebooks: the game is what happens at the table. Rulebooks can have a huge influence on that, but the responsibility for what the game is ultimately lies with those of us who play it.

I find that I can do all the things I like to do in 4E. If some of it isn’t as supported by the rules as I might like, well, there are plenty of other things that make me happy about it. And plenty of other games to play for a change of pace.

When it comes to making characters, the rules should help you bring the concept in your mind to life. Every ruleset has some sorts of restrictions that can prevent you from perfectly fulfilling your ideal, and 4E is no different in that respect. It offers a wide range of choices and customizability in the area of the game that gets the most development in the rules***, and doesn’t completely ignore the areas that were not the developers’ focus.

But your character is your responsibility. Your fun is your responsibility. Come up with a character you want to play, and then find the rules that let you do it. Take all the advice you can get, but ignore anyone who says you aren’t doing it right.

Have fun playing, or you’re doing it wrong.



*As I understand it, anyway. I don’t play WoW. I have nothing against it, but I have enough trouble trying to fit all my other hobbies into my life.

**Maybe even a tertiary one? I dunno. I’m going to be watching for it as the game goes on.

***I.E. Combat. This makes sense, as it is a central aspect of the game, and one of the more slippery elements that benefits from extensive, detailed rules. 4E does a good job of building rules that help cover a variety of situations and encourage cinematic, exciting fantasy combat.