Last Friday was our first session of my new Marvel Heroic Roleplaying campaign, Pandemonium. We had previously done a setting creation session, and a character creation session, and now we were finally getting to play.
In between the completion of the character creation session and the actual play session, there was a fair bit of work getting the characters finished and tweaked, and getting the setting bible finished ((If you want a copy of the final setting bible, you can download it here.)). I am really pretty pleased with the way the setting and characters turned out. And I’m especially pleased that we got the feedback loop going. You know what I’m talking about – ideas from the setting inform the characters, and the development of the characters fleshed out the setting.
You’ll notice that, in addition to the actual setting elements, I’ve added a few extra sections to the bible:
- Milestones. These are simultaneously one of the coolest and one of the slipperiest elements of the game. Using them is absolutely great in helping characters bring up the issues that they are most interested in during play, but coming up with good Milestones is tricky. So, I created a couple specific to the setting, and stole several others from various published MHR products, tweaking them as necessary. The plan was that the players could either pick from the list or use the ones in the bible for inspiration ((They wound up doing both, so score.)).
- Experience. Unlike most other RPGs, experience in MHR is best spent, not in “leveling up” your character, but in unlocking various campaign resources ((In my opinion, of course, which I will defend. First, the source material doesn’t generally have the heroes getting stronger, or faster, or whatever – the heroes change, but mainly they weave themselves more into the world, learn more, make contacts, etc., rather than leveling up. Second, bigger numbers on your sheet don’t mean the same thing in this game as they do in other RGGs – the way the balance works in play, there’s just not the huge benefit to big numbers that you see in, say, D&D. Third, it’s just more interesting to have your character be owed a favour by a pandimensional deity than to go from Flight d6 to Flight d8.)) ((That was a really long footnote. There may be a whole blog post lurking in there. Have to think about that.)). This section spells out how to spend experience points, including listing an assortment of campaign resources at various levels of expense and utility for characters to spend their XP on.
- Pushes, Stunts, Resources, and Assets. One of the things that I had a lot of trouble keeping straight in my head during the Civil War game was the differences between all the ways you could get an extra die to roll in your die pool. I wound up playing very fast and loose with it, and that really contributed to the power-bloat that caused me problems in the game. So, this campaign, I spelled things out so we were all ((Except there were a couple of times in the session that I couldn’t remember how one of them worked – whether it lasted for a single action or for the scene – and just glossed over it because I didn’t want to take the time to look it up. But I can brush up on that before the next session.)) on the same page with how these things worked. I also added the idea of Flashbacks, stolen from the Firefly RPG, to allow the characters to fill in some backstory in order to boost the die they get for what they’re doing.
Eventually, I’m going to get this stuff up on a wiki, but at least I got it out to the players in time for them to read it before the game.
Anyway, when people showed up, I spent some time running through the basics of the mechanics for the game. Once that was done, I dropped them right into the action scene.
With the time spent at the start of the game talking rules ((Two of the players were veterans of the Civil War game, and the other two hadn’t played since I had run the playtest when the game was first released. The fact that I had been doing some things wrong in Civil War meant that everyone – including me – needed to be taught or retaught the rules.)), and the fact that the initial session of a new game is always going to be slow as people learn the system, I picked a very simple first action scene. They had found out about a weapons buy by the Styx, a local street gang, at a warehouse in the Narrows. A group of Styx gang members were meeting some mysterious weapons sellers, with local corrupt cops providing security.
To help learn about the way that Resources and Assets work, I told the characters that, though they were at the warehouse and the buy was about to go down, they each had a chance to set something up retroactively. So, Warlock conjured a ring of tiny watcher lights to keep an eye on the warehouse, Escher put together a pouchful of sleep gas bombs, Artemis ((Who decided she had infiltrated the warehouse while the rest of the heroes were outside.)) sealed up the main doors with her telekinesis, and Inquisitor wired some nightvision goggles into his helmet. Once that was done, I explained how the turn sequence worked, and let them choose who was going to start.
Opposition-wise, I had put together simple stat blocks for the gang members and the police. There were five in the gang mob, and two mobs of three cops each. For the sellers, I used the Kree soldier stat blocks from the Annihilation event book ((I am so glad that I at least got the .pdf of this book before the line ended. It’s a brilliant book, with lots of useful stats and some great new pieces of rules, like vehicles, timed actions, and racial power sets.)), and threw in the Kree Captain as a boss. Now, I didn’t describe the sellers as Kree ((In fact, I really didn’t describe them much at all, except to say, “Yeah, you can tell by looking at them that they’re not from around here.” If they are interesting enough for the characters to pursue, I’ll have to come up with some details.)), but people could see the stat blocks I was looking at, so I explained that I was just looting the stats, not the details.
I also added a short list of things that I could spend Doom Pool dice on, ranging from reinforcements for the various factions to an explosive dimensional breach occurring. This was to make the Doom Pool more threatening to the players, which in turn increases the tension of the action, and seemingly raises the stakes of what’s going on. Also, it lets me spring some cool stuff on the heroes.
The heroes sprang into action and, through good planning and being awesome ((As well as through the fact that I deliberately created fairly easy opposition for them.)), they managed to triumph. All the cops were taken out – including the reinforcements that got called in, the gang members were all mind controlled, and the boss seller got chased back to his home dimension. Pretty much right at the moment the warehouse collapsed into the water. Everyone scrambled for safety at that point, though Artemis took the time to try and snag the bag of money they gang had brought to the buy ((She succeeded, by the way.)).
We wrapped the evening up at that point. I went over the XP stuff again, because it’s easy to forget to track such things during the game. Overall, I was really quite pleased with how quickly everyone got into the swing of the game. Not just the way they picked up how to build dice pools but, more importantly, how to do crazy, cool, awesome stuff – stuff that you’d see in a comic book or action movie – and use the system to support that. So, kudos to my players for that.
I sent them e-mail a few days later, asking them to think about what loose ends from the first session – or from the setting bible in general – they want to pursue. That’ll give me some direction for building the next session’s adventure.
Next session is in about two weeks. I’m really looking forward to it.