Firefly: St. Marcus

Last Friday was the latest session in our Firefly RPG campaign ((Third session overall.)). I promised myself that, this session, I wasn’t going to wait until the last minute to prepare an adventure, so I actually sat down with my Leverage RPG tables ((Seriously, the job creation tables in the Leverage RPG toolkit chapter are great for this. You’ll have to tweak the results a little for the different setting and the fact that (depending on your crew, of course) you don’t want every job to be a caper, but they rock for giving you a basic skeleton to work from.)) the night before and rolled up the basics.

I was a little leery about what I had rolled up, because the centrepiece of the whole thing was another wrongly accused criminal, which we had done the last two sessions. But one of the issues the players created for the campaign was the corruption, lawlessness, and injustice of the ‘Verse ((Especially on the outer planets.)), so I kept the idea, but tweaked the focus a bit to make it play differently, with a different angle on things.

We opened with a little roleplaying, letting each character do some solo stuff ((Which let me bring in Will Yunick, the depot manager that hates the characters, and does his best to make their lives miserable.)) before winding up at Tiny’s, a local watering hole on New Melbourne where Su Jin can always find a game. Once I had them all gathered, I threw in the hook: a rather desperate looking man dressed as a shepherd came through the doors, and immediately started pushing through the crowd towards the back of the bar. When Walter asked if he could help him, the shepherd asked about a back door – information that Su Jin was able to provide. As they walked the shepherd towards the back, a federal marshal showed up and called out to the shepherd to surrender. He ran, and the marshal shot him.

As the story came out, the shepherd, Marcus Garcia, was wanted back on New Kasmir for his part in defrauding a charitable institution that was supposed to be building orphanages, hospitals, and schools in the newly settled communities. He’d made off with a great deal of money, skimmed from the grants provided by the New Kasmir government, and thus the Alliance. The marshal, Judith Lewis, tracked him to New Melbourne after he fled. She took the crime pretty personally, and admittedly may have overreacted when it looked like Garcia might get away again.

Three of the four PCs ((Su Jin was currently being inconspicuous behind he piano.)) attracted enough attention by administering first aid, calling an ambulance, and gossiping ((Yes, it was too gossiping.)) about the marshal with the itchy trigger finger. Marshal Lewis invited them all down to the local police station as material witnesses. There followed a short interview of Domino, Walter, and Price, wherein I did my best to play the marshal as hard but reasonable, and very professional. The different reactions I got from the characters helped me shape her character so that she became a slightly contentious figure among the characters.

After a little more business, letting the characters do some research and prepare the ship for the next leg of the journey ((And spy on Shepherd Garcia as he lay near death in the hospital.)), I brought in Will Yunick, with a big grin on his face, to tell the crew that they’d just picked up a new contract from the Alliance Marshals’ Office – transporting a marshal and her critically injured prisoner to New Kasmir. This wasn’t too far out of their way – the next stop on the regular run was Heaven, and both Heaven and New Kasmir are in the Kalidasa system – so it was all gravy as far as Will was concerned: money, reputation, and a chance to make the crew’s lives difficult.

Price and Jin pretty immediately bugged the cabin Lewis and Garcia would be using, while Walter went to retrieve Lin Shu ((Yep, it’s the same run as last episode, and Lin Shu is going all the way to Deadwood, so she’s still around. I got to have a little fun with her this session, and I hope to bring her in as a more central character before she gets off the boat.)), the other passenger, and let her know their departure time had been moved up and a detour was taking place. I was pretty happy they had come up with the idea to bug the cabin, because it gave me a good opening to provide some of the backstory and let the characters find out what was really going on ((Or so I thought. Turns out they only looked at the cameras a couple of times in play, usually while Lewis was out of the cabin. But anyway.)).

We played through the three-and-a-half days from New Melbourne to New Kasmir ((Despite using the map of the ‘Verse that I have, travel times are still plot-determined. In-game rationale is because of the very complex orbital mechanics of the systems – which makes sense from a real-world perspective – it’s not always the same distance between any two planets or moons.)), mainly to give the characters a chance to do some snooping and dig into what was going on. It allowed for some good scenes between the characters, and it let me bring a few complications into play.

The most telling one turned out to be the Following Ship d8 that showed up. Price had managed a good navigation roll, giving Peregrine a nice, quick course to New Kasmir, and they noticed a ship following pretty much their exact trajectory, though at a distance. This ship really bothered them ((As it should, right? It’s a complication!)), and they seemed to concentrate more on it than on the marshal and the shepherd ((I should probably mention here that the shepherd was confined to a medical bed with a full life-support system in the cabin shared with the marshal, and no one was allowed in that cabin except the two of them.)). This gave me some pause, but I didn’t worry about it too much. Cortex Plus games always provide openings for the GM to introduce new information, usually in the form of complications and/or assets.

So, the crew came up with a cunning plan. Price plotted a high-burn course change, backed by some engine tweaking by Jin, to lose their tail. Just before they made the change, they would ping the ship’s transponder to get some identifying information from it. They had held off on pinging the transponder because they didn’t want to reveal that they were aware of the ship.

The ship following them was The Jade Monkey ((Stolen directly from the core rulebook intro adventure.)), a refitted Viper-class courier still sporting both cannons and warheads. It was registered to a man named Stark, who had some property outside the small town of Dry Well on New Kasmir. Then Price made his course change, and rolled pretty well, but came up with a couple of jinxes.

I used these immediately to break the marshal’s leg. She had to get up to help Garcia, who was having trouble breathing through the hard burn, and, when there was another change of vector, fell with one foot trapped in the undercarriage of the hospital bed, where she had lodged it to help keep her balance.

Why did I do this? It was the opportunity to hint at deeper things going on between the marshal and the shepherd. With the marshal disabled, she had to confide in someone, and she chose Walter. She told him the following things:

  • She had never heard of Stark.
  • She needed someone to come with her after the trial to get her daughter from some unspecified people.
  • She would really prefer to see her daughter before the trial.

The hint of a kidnapped child got everyone motivated. Price and Domino went through the archived recording from the marshal’s cabin, and managed to piece together the following story.

  • Shepherd Marcus Garcia was hounded off New Kasmir in the wake of the embezzlement scandal. He protested his innocence right up to the time he disappeared.
  • Marshal Judith Lewis, who has a very good reputation on New Kasmir, was dispatched to find him and bring him back.
  • Along the way, she became convinced that Garcia was innocent, and then uncovered evidence that Cordelia Tate ((And this was the first time that name came up in the game.)), Minister for Expansion on New Kasmir, was the actual guilty culprit. Her department administered the grants, and she was the one skimming money, while making it look that Garcia, who was in charge of actually putting the money to use, was guilty.
  • When the marshal reported her concerns, Tate had Stark kidnap her daughter, using the eight-year-old as leverage to make sure Lewis actually brought back Garcia.
  • Overcome by guilt at shooting Garcia – whom they both know isn’t going to live long, despite the medical intervention ((If they had gone inwards from New Melbourne to one of the Core planets, he might have had a chance. But they didn’t.)) – she confessed what she had done, and Garcia, knowing he was dead anyway, agreed to plead guilty in order for Lewis’s daughter to be returned.

After a little discussion, the crew decided to use their lead on The Jade Monkey ((About six hours, I said.)) to land at Stark’s place near Dry Well and search it for the kidnapped girl.

The raid was… interesting. I sketched out a quick map of the area, showing the landing strip for Stark’s ship, the barn/hangar, the house, and a smaller shed. The crew split into two groups: Walter and Domino, and Price and Jun. We kept cutting back and forth between the two groups as they went about searching for the girl.

Now, Walter and Domino are both ex-soldier types, good in a fight. Price is really good in a stealth engagement where he can get some surprise on his side, but not that great in a stand-up fight. And Jin’s primary weapon of choice is her gambling savvy. So, while Walter and Domino were mowing down every bad guy they came up against, Price and Jin had a good first round, and then proceeded to get the crap kicked out of them ((Walter: Next time we split up, we each take one of those guys with us. Domino: Yup.)).

In the end, it was more gunplay than had featured in both the previous sessions combined. Both Price and Jin were in pretty bad shape ((Price, at one point, fell off the top of a water tower. But he got better, thanks to GM jinxes and some friends who were generous with plot points.)), the house was on fire, the girl had been rescued from the shed, and they were all back on board Peregrine and in the air before The Jade Monkey hit atmo.

We played through a short epilogue ((It was a little later than I had planned to play that evening. I had cautioned everyone at the start that this one might turn into a two-parter, and Sandy said, “Challenge!” So, I pushed on a little later than intended to keep this to one session.)), where Garcia died, Tate was impeached but managed to avoid any real punishment through money and connections, and Lewis was stripped of her badge and recalled to the Core worlds for sentencing with her daughter. The (mostly) recovered funds were given to the newly renamed St. Marcus Garcia Development Fund ((They’re a mite casual about canonization out on the border.)) to get the orphanages, schools, and hospitals up and running.

The crew picked a name for the episode – St. Marcus – and we called it a night.

So, was this better than the games where I did the prep at the last minute? I think so. Because I was able to take more time to flesh out the various threads of the adventure, it was easier for me to improvise and change things on the fly. I knew how all the pieces fit, so the changes were easier. It also let me focus more on adding colour to scenes, and managing pacing, making this ((As far as I’m concerned.)) the strongest episode I’ve run of this campaign yet.

How much more prep did I actually do? Well, I made my rolls on the Leverage RPG tables, then I did up stats for both Lewis and Garcia as Major GMCs, and stats for Tate and the kidnapped girl ((Her name, if anyone cares, was Jun.)) as Minor GMCs. And I stole some stat blocks I had done previously for random armed goons, which I wound up using for the bad guys at Stark’s place. Then, I jotted about a half-page of ideas for scenes down. So, overall, about an hour’s worth of prep. The main advantage, though, was the chance to sleep on it before the game and think about it through the day. That let me get very comfortable with the basics of the adventure, and it let some interesting ideas percolate up from my subconscious.

In thinking about my future games, it occurs to me that I also now have a small stable of characters that can recur. Most of these are villains that are still above the dirt with grudges against Peregrine‘s crew, so that’s really handy.

I think I need to schedule the next session soon.

Sundog Millionaires: Pirates of the Mollek Nebula, Part Two

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Here’s the adventure log for the past session.

We had a bit of an awkward change of characters in the middle of the adventure: Hal’s player wasn’t able to make the previous session, and Jopsi’s player couldn’t make this one. To deal with this, I rather heavy-handedly changed the last moments of the previous session, and said that Jopsi was arrested by station security when he was trying to sneak back to Sundog ((I’ll be giving Chris an extra fate point next session for messing with his character like this.)). As for Hal, I gave his player the option of just joining the group where they were on Kyra’s Wheel or having spent the last session infiltrating the pirates the group was seeking and starting aboard The Shadowed Hand. With visions of Lando Calrissian hiding in Jabba’s retinue at the start of Return of the Jedi, he leaped at the undercover option.

Unfortunately, I wasn’t very good and communicating this stuff to the rest of the group. The gang spent some time debating how to get Jopsi out of jail until I came out and said that I had done it just because the player wasn’t here. And then there was some discussion about whether they should be trying to catch the pirates in a complex sting, or just try and buy the box from them. This went on for a while before I clued in on two things:

  1. The group took my statement about how the pirates totally outgunned them to mean that they could not confront the pirates or else they’d die.
  2. I hadn’t bothered to tell anyone else that Hal was now undercover on the pirate ship, and Hal hadn’t mentioned it.

This is the old, old problem of GM perspective. The GM has more information than the players, and knows how it all fits together. Giving too much information to the players can ruin their fun – they like to earn their victories, and figure things out in play ((Your mileage, of course, may vary. I’m generalizing here, based on my experience as a player and my player groups.)). So, GMs are parsimonious with information, trying to provide just enough to let the players have fun figuring things out and point them in the right direction. But the information we give the players doesn’t have the same context for them as it does for us – we see the whole elephant, but we’re only letting them feel the trunk.

So, I clarified things a bit. First off, I restated that the pirates totally had the PCs outgunned – in a straight-up, head-on conflict. But no one said that any confrontation had to be a straight-up, head-on conflict. Second, I told Hal’s player to let the others know where he was and what he was doing.

You could see the lights go on behind everyone’s eyes. Within minutes, they had a plan to locate the pirate ship, dock with it, and steal the MacGuffin from under the pirates’ noses.

That’s when things began to rock and roll. Some highlights:

  • Stealth docking with The Shadowed Hand in the middle of a nebula.
  • Slicer battles to keep the fighter bays locked down and the power systems off.
  • Creeping through the dim corridors trying to dodge pirate patrols.
  • Trask igniting his lightsaber for the first time in the game, the blade burning through the piece of rebar he had attached to the hilt to hit people with.
  • Jowkabukk valiantly holding off the pirates so Trask could duel with Jyn Starfell ((I should have written this sooner, because I cannot for the life of me remember is Jyn Starfell was defeated or if he scarpered. I think he scarpered, but I can’t be sure. Erik? You remember?)).
  • Hal deciding to start firing Sundog‘s guns at The Shadowed Hand while they were still connected to each other.
  • The discussion between the players about maybe the best way for Hal and HK-86 to rescue Trask and Jowkabukk would be to blast a huge hole in the hull and then catch them in the Sundog as they were blown out into space ((Which sounded awesome! Note to my players: if you come up with a cool enough plan, no matter how bad an idea it would be in actuality, I will give it at least a chance of success. Think about what the movie scene would look like and, if it makes you go, “Whoah!” then it’s worth a try.))
  • HK-86 showing up in full-on maniac-killer-droid mode, shredding the pirates to rescue the critically injured Jowkabukk.
  • Sundog flying away into the nebula, leaving the crippled Shadowed Hand to the tender mercies of the Imperial cruiser that Hal had called in with a distress signal.

After the escape, the gang decided to open the box to see what the MacGuffin was ((I had told them it was just a MacGuffin, but that I also knew what it was. And it was not Marcellus Wallace’s soul.)). It turned out to be Mace Windu’s lightsaber. This had pretty much the effect that I hoped for – they stared reverently at it for a bit, then locked it back up for delivery to their client ((I had some ideas of what to do if they decided to keep it – consequences are important in my games – but they decided to stay honest. Not that that doesn’t have its own consequences.)).

The next session is tomorrow, and it will involve freeing Jopsi from jail, and possibly taking some revenge on Yan Retwin, the smuggler that sold them out.

Should be fun.

Firefly: Switch

A couple of weeks ago ((I started writing this review much closer to the actual date of play, but then life got in the way, and I’m just getting to finish it now.)) was the second session of our new Firefly RPG campaign. Because of reasons ((Trying to catch up at work, making dinner, and poor organizational skills.)), I wound up starting to prep the game about twenty-five minutes before the players were due to arrive. And then they showed up ten minutes early.

The math on that works out to fifteen minutes of prep time. Now, I was using the same Leverage RPG tables that I had used last session to come up with the adventure framework. That meant that fifteen minutes was enough to get the core problem defined, and a few of the NPCs picked from the archetypes in the book, but not enough to really build scenes or plan anything.

Everyone showed up, and had a nice dinner ((Barbecued pork tenderloin, roasted potatoes and vegetables, and grilled pineapple and pumpkin pie for dessert.)), and then we settled down to play. I started with a little talk about what I had done wrong last session – mainly, not pushing things towards action and conflict – and asked everyone to help me do a better job of moving past the boring stuff to the interesting stuff.

So, here was the basic set-up:

  • The crew were on Albion, picking up cargo and passengers for the Tullymore Run.
  • One of the passengers, Nicholas Tate, was on the run from a businesswoman named Arabella Stanford.
  • Nicholas Tate has been framed. Arabella Stanford thinks he’s carrying confidential data stolen from her business. He’s not.
  • Arabella Stanford has sent Zeke Michaels, her personal off-the-books enforcer, to bring back the data. And also Tate, if feasible.
  •  The Triad are involved somehow that I hadn’t the opportunity to work out yet.

I started with a scene of all the passengers coming on board ((At this point, I realized that I needed to have a passenger not tied in to the plot, both for verisimilitude and to provide a little confusion and potential complications. Thus, I created Lin Shu, who was headed out to Deadwood to be a schoolteacher.)), and turning in their weapons ((Interesting to me is that the crew didn’t search the passengers to see if any were concealing weapons. Then I thought about it for a second, and realized that of course they wouldn’t. They were paying passengers, after all.)). Then, Su Jin said, “This is Albion, right? The place they grow cocoa? Why are we not buying chocolate?” So, I gave her a flashback where she bought a Cocoa d8 asset. I figured I should give the rest of the crew a chance for a flashback, too, to reflect what they’d been doing with their time on Albion before breaking atmo.

Price Jiang wen to visit his parents for dinner, and then paid a courtesy call on Uncle Fung, one of the local bosses for the Jiang Triad. This gave me the opportunity to bring the Triad influence I had  previously rolled buy hadn’t figured out what to do with, as Uncle Fung first praised Price for his work on Heaven, then asked for a favour: bring another Triad operative ((Cousin Martin.)) from Albion to Heaven.

Walter Yu went to visit the local Alliance Marshal’s office, and looked over the various available bounties, saying this was his standard procedure when he came groundside. This, I figured, was as good a way to bring the central issue of the session into play – Walter spotted a poster with Nicholas Tate’s face on it, and the name Alexander Lowe. The bounty was good but not overwhelming, and was being offered privately by Arabella Stanford.

Now, it may seem a little odd that I gave this whole speech about pushing towards the action before play began, and then just ask the players what sort of futzing around they want to do before the story kicks in. And that’s a valid point. I did this for a number of reasons:

  • Having a short, everyday life section of play helps lend some verisimilitude to the narrative. Not every second of person’s life is spent responding to action-movie-style crises, so it makes sense to show the calm before the storm, at least a little bit.
  • It also allows the players to spend a little time rounding out their characters, deciding who they are, and showing the rest of the group. Yeah, that happens in the middle of action scenes, too, but the non-action scenes let the players be more thoughtful and deliberate about it.
  • Mechanically, letting the characters have a chance to make a few rolls helps beef up the story by providing some assets and complications before everything hits the fan. This is especially helpful if you’re a little short on prep for the session.
  • I wanted a little time to think about what other scenes I was going to put in the adventure, and what sorts of drama and action I could pour in.
  • I still didn’t have a clean way to open the door to the adventure for the characters – some reasonable and elegant way for the characters to find out about and involve themselves in what was going on. Fortunately, Walter provided that with his little scene.
  • Su Jin’s player asked for a little side-scene while Peregrine was in port, and it seemed reasonable that I should give the option to the rest of the players.

So, that’s why I did it. And why I’d do it again in similar circumstances.

After the solo scenes, there was a little more character interaction, mostly centred around Cousin Martin meeting the rest of the crew, and Walter deciding to keep the bounty on Tate/Lowe to himself. When things slowed down a bit, I jumped to the lift-off, and a day or so of quiet travel. None of the characters was doing much to push things – they were waiting to see what developed. So, I had a bloodcurdling scream reach the Captain one night shift as she was looking for a snack in the galley.

They all raced ((For varying values of the term “raced.”)) to the source of the scream ((Which necessitated a bit of a discussion of the floorplan of the ship. At least one of the players and I had been searching online to find a good ship layout that we could use for Peregrine, but were stymied by the fact that the Roadrunner-Class Blockade Runners stand on their tails, and are laid out like a rocket ship, rather than the more sea vessel/aircraft layout that pretty much every set of starship deckplans I’ve found on the net assumes. We sketched out a quick division of decks, labeling each one. I’m planning to take some time to create a set of deckplans using Cosmographer. Unfortunately, I suck at art, so that’s gonna take a while.)), and the Captain arrived first to find Lin Shu screaming about a ghost that had attacked her in the dark as she was returning to her cabin from the galley. Some quick work by the Captain let her spot someone wearing a stealth suit lurking in the shadows, and she drew her pistol and ordered him ((Or her.)) to surrender. The figure decided to rush her, and wound up with a bullet in the eye.

The body was revealed to be Zeke Michaels, and he had a small pistol and a pouch containing a hypo spray and a selection of coloured liquids on his belt. Upon seeing this, Walter came clean about the bounty on Tate/Lowe, and the crew started interviewing folks and searching their cabins. They came to the conclusion that Lin Shu was not involved in the mess, that Michaels was looking to take Tate/Lowe out non-lethally, and they found Tate/Lowe’s locked cortex tablet hidden in one of the air ducts. Price did his best to crack the encryption on the tablet, but all managed to do was load a worm into Peregrine’s ship network.

Interviewing Tate/Lowe got him to explain his situation – framed for datatheft, on the run from Arabella Stanford, his life destroyed. He gave Price the code to unlock the tablet, and played them a message he had received from someone who looked kind of like him apologizing for framing him and telling him to start running. This convinced pretty much everyone that his story was true ((I had toyed with the idea of flipping things as a twist, so that he was actually guilty and using the story to get the crew on his side, but we were nearing the end of the evening, and I still had some things I needed to happen to wrap up the session. So, as far as I know, he was telling the truth.)) ((Sandy said as I was thinking about this, “So much for making the game episodic. This one’s going to take another session.” That sounded like a challenge to me, so I was determined to wrap up in one session.)).

All this time, I’d been putting about every other jinx into an unknown complication I was tracking on the big board, marked with a question mark and a die type so that the players knew it was there and growing, but not what it was. This was my solution for having Michaels’s partners show up in their ship to retrieve Michaels and Tate/Lowe. I figured that, if the characters checked for other ships in the area, they’d find it, and the die size at that time would be a surprise complication. And if it reached a d12, then the pursuing ship would get a sneak attack on Peregrine.

Well, no one even so much as looked out a window, so it reached d12, and I added the complication Peregrine Disabled d12 to the table. This got everyone moving pretty sharpish.

The scramble to get away was pretty impressive. Everyone pulled together to get the engines turning and the hull patched ((The Green Livin’ distinction came in handy here, with it’s Organic Life Support trigger.)), and to keep the ship from being hit again or boarded. Once the engines were back up, the rest was pretty much a foregone conclusion – Peregrine is fast, and Price is a pretty hot pilot. They left their pursuers in the (space) dust.

We wrapped up loose ends with Cousin Martin saying that Uncle Fung had use for someone with Tate’s skills ((Whatever they were. I dunno. I hadn’t had him do anything special or clever, but I wanted his story wrapped up without a lot of other futzing around. Now, I can bring him back as an expert on whatever I need in a future episode.)), and had an identity all ready for him to assume on New Melbourne.

The last order of business for the evening was picking a name for the episode – obviously, they went with Switch – and going over character and ship advancement once again.

We’ve got our third session scheduled for this Friday, and I plan to actually prep the session a couple of days in advance. It’ll probably carry on this run, New Melbourne to Heaven to Deadwood, and we’ll see if I can’t work Lin Shu into it somehow.

Until then, keep flyin’!